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- 泥塑宇宙
- 作者： 东土 来源： 雕塑 年份： 2003 文献类型 ： 期刊 关键词： 八字墙 汉画像砖 明清徽州 民间故事 发展史 砖雕艺术 垂莲柱 明清之际 安徽南部 建筑装饰
- 描述： Xu Min was born in a family fuU of artistic atmosphere; both of his parents were students in Shanghai Arts Institute of Liu Haisu. His father was one of the early domestic cartoon producers, and worked in Chuangli Cartoon Workroom of Shanghai in early 1940s, drew and filmed many short cartoon films. Xu Min’s mother was dedi- cated in canvases research and creation. His father affected Xu Min deeply, his interest for art was aroused from a child and had been started to study drawing from his five-year-old. After the gradua- tion from his middle school, his was engaged in scenograph and tinct result picture drawing in technique department of alarm. Itl 1978, he got into art of ceramic department of Central Academy Of Arts And Design with excellent score, and had stayed there for teach- ing since his graduation in 1982. And then expatriated to us. Xu Min has very independent style in ceramic art, not only has the spirit of western traditional culture, but also has the intense charac- teristics of the time. With strong artistic convulsion, to mom life in abiotic figuline; through his skillful mastering for glaze and chroma, we can find his apperception for Laozi’s philosophy of"both useful- ness & uselessness are favorable". Besides, it is a pioneering work that he applied the subversion skill of by inside to many of his works; it reflected the social transparence and the metaphor of people's essential cognition for traditional concept in the new century. He pursues nature, purity simplity his working, it is just as what China paintings believed "saving paper as gold", "saving ink as gold", and he also believe that "saving glaze as gold". He thought that fully glazed potteries were like " a raddled person " and lose the natural sense. So he tried his best to display the artistic effect of "like the lotus from the clear water, nature and unselfconsciousness" in his pottery making, to pursue unpretending and natural aesthetics. Xu Min thought one of the most suitable materials for shaping in the world was argil, it can resist the time and the testing of water and fair. Chinese people use gold, wood, water, fair and soil to represent and explain universe, and ceramic facture and composing process are also the process of gold, wood, water, fair and soil integrating. So a ceramic works can be explained as the concentrate of all universes. Development of art is to find new artistic modality and language, and potteries are most closed to the nature of human being, so the potteries is also trated as one of the most important representation materials with iron and stone. Xu Min has been engaged in the creation of ceramic art more than ten years, and integrated core skills into eastern ceramic art, dis- played a various ceramic world to people. 徐敏出生在上海的一个充满艺术气氛的 家庭,父亲和母亲都是刘海粟先生上海美专 的学生,父亲是我国早期卡通片制作者之一, 早在四十年代初期,就在上海创立卡通片工 作室,绘制与拍摄了许多卡通短片。
- 亨利·兰尼
- 作者： 暂无 来源： 雕塑 年份： 2003 文献类型 ： 期刊 关键词： 八字墙 汉画像砖 明清徽州 民间故事 发展史 砖雕艺术 垂莲柱 明清之际 安徽南部 建筑装饰
- 描述： 亨利·兰尼
- 徘徊在现实与意象之间——商徐宏的装置艺术作品
- 作者： 杰类·卡伦 来源： 雕塑 年份： 2003 文献类型 ： 期刊 关键词： 视平线 天空景 装置艺术 观众 抽象意识 艺术展 西方哲学 极简主义 作品 意象
- 描述： 作为一个多年旅居美国并长期活跃于国际艺术展览的中国艺术家,商徐宏是中国在海外的为数不多的几个极其冷静、毫无虚张声势地从事观念性及极简主义与抽象意识相结合的艺术创作和研究的艺术家之一。他的作品明显地试图在传统与现代,意象与现实之间建立一种新的视觉方法与秩序。
- 中国语境中的全球神化——读罗小平金、木、水、火、土里的“领袖人物”
- 作者： 佟玉洁 来源： 雕塑 年份： 2003 文献类型 ： 期刊 关键词： 阿拉法特 世界风云 安南 中国语境 紫砂陶 世界格局 陶砂 唐装 小平 领袖人物
- 描述： 的“领袖人物”站在一排,使一场轻松的游戏从调侃开始,而调侃中是多元文化带来的神化的光环——“领袖人物”制定的世界格局。然而,“领袖人物”的一身唐装,让动荡的世界风云进入了中国文化领域,成为中国人民不再陌生的世界语言。
- 中国美术全集 第3卷 建筑雕塑经典
- 作者： 樊文龙 来源： 北京：光明日报出版社 年份： 2003 文献类型 ： 图书 关键词： 设计 资料集 建筑装饰
- 描述： 中国美术全集 第3卷 建筑雕塑经典