描述:
“少电”音乐排行榜【4月】 四月,一个春意盎然的季节,让我们一起来拥抱绿色、红色…… 五彩斑斓的世界敞开了怀抱,等待着我们的到来! 十年一刻—苏打绿 Live Long—Taylor Swift 谢谢 ~无论在世界任何地方~—Hey!say!JUMP 如果的事—范玮琪&张韶涵 宝贝—莫文蔚 十年一刻苏打绿 丢丢:对于这首歌,无论我说什么都觉得苍白。吴青峰用最精准最哲理的音乐和文字教会我们面对世界的态度和方法。“十年的功聚成灿烂,那一分钟的梦,生命舞台发光的人,绝不是只会说。”那个心中的梦想是否依然激荡在你的胸口,跃然欲出?是什么成就了这十年来短暂的一刻?《十年一刻》给出了答案,就是一个“搏”字。想想这个让你魂牵梦萦的十年一刻,他一定会让你生出一些敢于面对寂寞,面对恐惧,面对虚幻的勇气。 Live Long Taylor Swift 亚亚:14岁与索尼签约成为最年轻的签约词曲作者。从18岁开始在美国获奖,2009-2010年更是拿奖拿到手软。第52届格莱美奖甚至称之为“创造了格莱美的奇迹”。今年只有21岁的Taylor Swift可谓是当今全球最炙手可热的乡村女歌手。
描述:
Waters of Changjiang River were first defined.As the mother river of Jingdezhen,Changjiang River once was the only way for this ancient ceramic city communicating with the outer world,and played an important role in the economic development and ceramic industry of Jingdezhen.By consulting documents and investigating the local area,this study expounded and proved kiln landscapes of this ceramic city along the Changjiang River,traffic landscapes in the Changjiang River,folk customs and architectural landscapes,as well as unique images.The construction and evolution of its cultural landscapes were analyzed to explore the development history of this city.Characteristic cultural landscapes with the Changjiang River as the principal line were highlighted,"water elements" in the urban development of Jingdezhen,production and transportation of ceramic industry were demonstrated,so as to provide useful references for the reformation project of "one river and both banks",and the construction of new cultural landscapes in Jingdezhen,help Jingdezhen go smoothly in its urban development and transition from a traditional to a modern city.
描述:
Origin of Fengshui Woods was studied, 3 representative standpoints (Fengshui doctrines, greening and worship of the god of land) about Fengshui woods were analyzed, and worship of the god of land was believed as a reasonable origin view through considering natural and social factors of ancient China, as well as universal mental characteristics of people in the prescience age. To identify advantages and disadvantages of these 3 views, Carl G. Jung’ theory of mythological prototype criticism and Sir James George Frazer’s anthropological study were borrowed to prove that Fengshui Woods originated from ancient Chinese worship of the god of land, and such worship gradually evolved into practices of planting Fengshui Woods for their propitious signs. On this basis, enlightenment of Fengshui Woods to modern society was disclosed to protect present Fengshui Woods and forest resources.