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- 徘徊在现实与意象之间
- 作者： 杰类·卡伦 来源： 雕塑 年份： 2003 文献类型 ： 期刊 关键词： 八字墙 汉画像砖 明清徽州 民间故事 发展史 砖雕艺术 垂莲柱 明清之际 安徽南部 建筑装饰
- 描述： life. 作为一个多年旅居美国并长期活跃于国际艺术展览的中国艺术家,商徐宏是中国在海外的艺术家极其冷静、毫无虚张声势地从事观念性及极简主义与抽象意识相结合的艺术创作和研究的为数不多的几个艺术家之一。
- 泥塑宇宙
- 作者： 东土 来源： 雕塑 年份： 2003 文献类型 ： 期刊 关键词： 八字墙 汉画像砖 明清徽州 民间故事 发展史 砖雕艺术 垂莲柱 明清之际 安徽南部 建筑装饰
- 描述： Xu Min was born in a family fuU of artistic atmosphere; both of his parents were students in Shanghai Arts Institute of Liu Haisu. His father was one of the early domestic cartoon producers, and worked in Chuangli Cartoon Workroom of Shanghai in early 1940s, drew and filmed many short cartoon films. Xu Min’s mother was dedi- cated in canvases research and creation. His father affected Xu Min deeply, his interest for art was aroused from a child and had been started to study drawing from his five-year-old. After the gradua- tion from his middle school, his was engaged in scenograph and tinct result picture drawing in technique department of alarm. Itl 1978, he got into art of ceramic department of Central Academy Of Arts And Design with excellent score, and had stayed there for teach- ing since his graduation in 1982. And then expatriated to us. Xu Min has very independent style in ceramic art, not only has the spirit of western traditional culture, but also has the intense charac- teristics of the time. With strong artistic convulsion, to mom life in abiotic figuline; through his skillful mastering for glaze and chroma, we can find his apperception for Laozi’s philosophy of"both useful- ness & uselessness are favorable". Besides, it is a pioneering work that he applied the subversion skill of by inside to many of his works; it reflected the social transparence and the metaphor of people's essential cognition for traditional concept in the new century. He pursues nature, purity simplity his working, it is just as what China paintings believed "saving paper as gold", "saving ink as gold", and he also believe that "saving glaze as gold". He thought that fully glazed potteries were like " a raddled person " and lose the natural sense. So he tried his best to display the artistic effect of "like the lotus from the clear water, nature and unselfconsciousness" in his pottery making, to pursue unpretending and natural aesthetics. Xu Min thought one of the most suitable materials for shaping in the world was argil, it can resist the time and the testing of water and fair. Chinese people use gold, wood, water, fair and soil to represent and explain universe, and ceramic facture and composing process are also the process of gold, wood, water, fair and soil integrating. So a ceramic works can be explained as the concentrate of all universes. Development of art is to find new artistic modality and language, and potteries are most closed to the nature of human being, so the potteries is also trated as one of the most important representation materials with iron and stone. Xu Min has been engaged in the creation of ceramic art more than ten years, and integrated core skills into eastern ceramic art, dis- played a various ceramic world to people. 徐敏出生在上海的一个充满艺术气氛的 家庭,父亲和母亲都是刘海粟先生上海美专 的学生,父亲是我国早期卡通片制作者之一, 早在四十年代初期,就在上海创立卡通片工 作室,绘制与拍摄了许多卡通短片。
- 亨利·兰尼
- 作者： 暂无 来源： 雕塑 年份： 2003 文献类型 ： 期刊 关键词： 八字墙 汉画像砖 明清徽州 民间故事 发展史 砖雕艺术 垂莲柱 明清之际 安徽南部 建筑装饰
- 描述： 亨利·兰尼
- 从神本向人本的回归——兼论灵岩寺佛教雕塑艺术的审美特色
- 作者： 王畅 来源： 东方论坛 年份： 2003 文献类型 ： 期刊 关键词： 神本 罗汉塑像 艺术精神 灵岩寺 世俗化 人本 佛教艺术 审美理想 宋代佛教雕塑
- 描述： 人的现实生活 ,越来越世俗化。人本精神自然地、不自觉地乃至自觉地迸现、强化甚至稳固、发展。这种情况到了宋代表现得尤为明显。被誉为“海内第一名塑”的灵岩寺宋塑罗汉像 ,充分体现出在佛教艺术中人本精神从神
- 马来西亚为鱼疯狂
- 作者： 孟青 来源： 中国动物保健 年份： 2003 文献类型 ： 期刊 关键词： 市场价格 宠物 “选美”大赛 马来西亚 观赏鱼 花罗汉 饲养管理
- 描述： 在马来西亚的宠物圈,近来最受人追捧的两大宠物,一是被誉为“国禽”的玲珑鸡,一是据说可带来好运的“发财鱼”和“风水鱼”。不论是富商的豪宅还是一般人家的客厅,最常见的摆设都是大大小小的水族箱,报纸上有关鱼的趣闻从未间断过,人们街头巷尾议论的话题也常常围绕
- 秦汉雕塑
- 作者： 谢益 来源： 书画艺术 年份： 2003 文献类型 ： 期刊 关键词： 写实形似 秦始皇兵马俑 艺术风格 陵墓雕刻 汉代 秦朝 写意传神 人物形象 审美理想 雕塑
- 描述： “力拔山兮气盖世”,“大风起兮云飞扬,安得猛士兮镇四方”这些我们都耳熟能详的豪歌,虽然遥隔了二千多年,它雄强奔放的气息,还不可抗拒地扑面而来,摄人心魄。一个时代有一个时代特有的精神风貌,也有其相应的审美风尚,历史上秦汉并称的时代,就充满这样一股贲张的雄风。
- 泥土雕塑也出口
- 作者： 外商抢购 王东明 来源： 现代营销 年份： 2003 文献类型 ： 期刊 关键词： 古代建筑 现代工艺 加工精度 石材资源 生产手段 连接性能 护栏 仿汉白玉 大理石 工艺品
- 描述： 泥土雕塑也出口
- 仿古建筑与现代文明
- 作者： 卢中一 斯满芳 来源： 城乡建设 年份： 2003 文献类型 ： 期刊 关键词： 人口 风景 韩国人 汉城 汉江 大都市 养育 现代化
- 描述： 城中国传统建筑,蕴藏着浓厚的历史价值、科学价值和艺术价值。其曲线优美的屋顶、造型简洁的梁柱结构、雕刻精致的木雕和彩绘、五彩缤纷的内部装饰、端庄坚实的基座,构成了完美的形式,是千百年来雅俗共赏的。这个东方建筑体系不但国人喜欢,外国人见之也无不叹为观止。 因为这样的原因,同时也因为是弘扬民族文化的需要,我们在城市建筑当中,适当地搞一点仿古建筑,肯定是可以让人理解、接受的。那么,中国传统建筑发展到现代,我们应如何在继承其精华的前提下,使他得到进一步的发展,以求充分体现时代特征呢?笔者认为,将仿古建筑与现代环境艺术,与现代建材、工艺以及现代灯光、声学、电子等技术相结合,是促进仿古建筑充分体现时代特征,从而使我国传统建筑艺术在现代得到发扬光大的重要途径之一。仿古建筑应与现代环境配套相结合 在中国古代建筑史上,与自然环境、人文景观相结合的成功例子,数不胜数。以苏州园林为代表的江南园林,以颐和园为代表的北方皇家园林,都是有口皆碑的佳例。它们使建筑与环境形成密不可分的“艺术整体”,相互衬托,相互辉映。笔者不久前看到的佛教名山普陀山宝陀讲寺的设计方案,其中,藏经楼仿古建筑的四周采用人工瀑布、叠泉的现代环境艺术手法,运用...