艺术公共性的“原型”——文艺复兴时期佛罗伦萨的艺术与公共生活

【类型】期刊

【作者】刘旭光 

【刊名】社会科学

【关键词】 文艺复兴 佛罗伦萨 公共艺术

【资助项】国家社科基金项目“当代西方美学中的艺术真理性问题研究”（项目批准号:12czw009）；2011年上海市曙光学者项目“西方当代艺术真理性问题研究”（项目编号:11sg43）的阶段性成果

【摘要】公共艺术的核心问题不是艺术所采用的形式问题,而是艺术与公共生活的关系问题,正是这种关系导致了文艺复兴时期佛罗伦萨造型艺术的繁荣.佛罗伦萨市民在情感上的地方主义和个人生活方式上的集体主义,有利于艺术活动.城市本身、公共建筑和雕塑,以及大型绘画在这样一种公共氛围中得到了发展的机遇,它们成为公共交往的手段与表征,成为集体意志与情感的表达,正是这种功能催生了现代公共艺术的"原型".The problem of form which is adopted by art is not the core problem of public art, but the problem of the relationship between the art and public life. It is just the realationship that lead to the prosperity of Florence's plastic arts in Renaissance. The sectionalism on the feeling and the collectivism on the personal lifestyle of the citizen in Florence are both beneficial for art, then the city, public building, sculpture and the large painting are all get the development opportunities in such a public atmosphere, they become the means and token of public communication, and also become the experssion of collective will and feeling, it is just the function that give rise to the "prototype" of public art.

【年份】2014

【期号】第2期

【页码】175-185

【作者单位】上海师范大学美术学院；上海师范大学世界文学与比较文学研究中心

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